Clowns, a Ringmaster, and Nuclear Fire
If you feel the world is getting stranger by the minute, you are not alone. I don’t think many people could have imagined the world we live in today, ten years ago.
Across the world, something feels off. We watch governments in completely different cultures roll out the same policies at the same time, often against the clear will of their own people. Unelected “experts” and global bodies have somehow become the official purveyors of truth. Election after election, nations cry out for one direction and get leaders who do the opposite. Instead of pursuing truth that could bring unity and peace, our institutions seem to specialize in narratives that divide. The systems that were supposed to protect us look broken, and the news can no longer tell a story straight. It is more than just bizarre now; it is getting scary.
The Bible says, “The coming of the lawless one is by the activity of Satan with all power and false signs and wonders” (2 Thessalonians 2:9), and also that “the whole world lies in the power of the evil one” (1 John 5:19). In other words, there are real spiritual powers behind what we see. They do not only push policies and laws; they also know how to speak to us directly—through films, music videos, news narratives (including staged events), public ceremonies and rituals, the symbols they scatter across our world, and very often through popular music.
I believe some songs are literally messages from the future, passed down through spiritual powers who can see what lies ahead and who share it with their servants. Those servants then encode it in lyrics, videos, and symbolism that are “hidden in plain sight.”
One of those songs, I believe, is “How Bizarre” by OMC.
In this article I simply walk through the evidence so you can decide for yourself.
The World in a Chevy ’69
We will get to the video messages later. First we will cover the lyrics. The video we will work from is here: https://www.youtube.com/watch?v=C2cMG33mWVY
At first glance, the song is just a quirky story: driving in a car, police lights, strange scenes, and the repeated chorus, “How bizarre.” But when you look at the phrases together, it starts to read like a parable of our political circus.
Here is how I understand some of the key lines.
“Red-blue lights flash”
This is not just about police. Red and blue are the colors of the two major political camps or controlled opposing powers—a Hegelian dialectic. The sirens of crisis, outrage, and “emergency” are always flashing. Both sides use them to keep their followers in a constant state of alarm, to manufacture conflict, and then to justify the ultimately designed outcome: a major change, a “new solution.”
“Chevy ’69”
In occult symbolism, 69 is often associated with inversion (swapping good and evil) and the “devil’s number.” The picture here is of a car—society, the system, or the coming ruler—powered by that dark source. The officer tells them to “step out onto the line” – to do what ordinary people are supposed to do: follow orders and stay inside the rules of authority. “Pele preaches words of comfort” – a soothing, virtue-signaling narrative to make it all sound reasonable. But because they are riding in the devil’s vehicle, they are waved through. Those who serve the system are not harassed; they are carried by it. The rules are for everyone else.
“Destination unknown”
After the officer waves them on, the lyric says “destination unknown.” But the way he sings it, it sounds more like “destination un-no-one”—a stuttered double negative that hints at something darker: a destination where no one is left. It fits Satan’s nature and the prophetic picture of the end, where the path the world is on does not lead to a stable new order, but toward the attempt to erase whole populations:
“And if those days had not been cut short, no human being would be saved.” (Matthew 24:22, ESV)
In that light, “destination unknown” sounds less like being lost on a road trip and more like a coded pointer to where this whole circus is actually headed.
“A freshly pasted poster reveals a smile from the past”
This speaks of a familiar smiling political figure from the past being brought back to center stage. It points to the anti-Christ figure the Bible describes as one who “was, and is not, and is about to rise from the Abyss” (Revelation 17:8, ESV), a ruler who seems gone but then returns.
Revelation goes on to say of this same figure: “they are also seven kings… As for the beast that was and is not, it is an eighth but it belongs to the seven” (Revelation 17:10–11, ESV, excerpt). In other words, he first appears as one of the rulers of the seventh “Babylon” system, and then becomes the king of an eighth and final world order before the return of Jesus.
In that light, the “smile from the past” is more than nostalgia. It is a poster announcing the return of a leader the world already knows—one who will step back onto the stage with far more power the second time.
“Elephants and acrobats, lions, snakes, monkeys…”
Our leaders and institutions are portrayed as circus acts: elephants (Republicans), acrobats (talking heads who promote manipulative narratives with verbal gymnastics), lions (devouring opponents with accusations), snakes (deception and lies), and monkeys (imbeciles put in power who create chaos because they don’t understand what they are doing)—a whole menagerie of circus performers. It is not dignified government; it is confusion, chaos, and a path to destruction.
Does this resonate with you? Do you see why the world feels so bizarre? You are not imagining it.
“Ringmaster steps out”
The ringmaster is the one who truly controls the show, calling each act in and out. This line points to the rise of the final world ruler, the anti-Christ, finally stepping openly into view after working behind the scenes.
“The elephants left town”
The elephants leaving town represent the elimination of the Republican/Trump side of the conflict—not just losing an election, but being cleared off the field. This line points to the day when that camp is neutralized: their leaders sidelined or jailed, and many of their followers sent into internment and re-education camps, or eliminated entirely.
“People jump and jive / The clowns have stuck around”
The remaining population rejoices. The “threat” is gone, and people dance in the streets. But the clowns—corrupt politicians and their handlers—are still very much in charge. The circus act continues, just under one side’s colors instead of two.
“TV news and cameras, there’s choppers in the sky / Marines, police…”
This is not a quiet transfer of power. It is a major event, broadcast worldwide, involving military and police forces. It points to a civil conflict or crackdown where one side is crushed in the name of “restoring order” and conformance to “reason” dictated by so-called recognized or anointed authorities.
“Making moves and starting grooves before they knew we were gone”
Later he sings, “making moves and starting grooves before they knew we were gone.” But the way it’s delivered, it also sounds like “before the New World dawn”—as if the planners are already setting things in motion. By the time people wake up, many of those who resisted have already been removed or marginalized, and the New World Order is already in place. It matches the prophetic picture of the first horse of the apocalypse, which goes out “conquering, and to conquer” before the red horse of war that removes peace from the earth (Revelation 6:1–4).
“Jumped into the Chevy and headed for big lights”
Once the opposition—conservatives, constitutionalists, and Christians—has been cleared out of the U.S.-led world order, the anti-Christ simply keeps driving the same devil-powered vehicle toward the “big lights”: global power and open world leadership.
“Wanna know the rest? Hey, buy the rights”
The writers are telling us, “There is more to this story.” The rest is for those who truly want to know—who are willing to “pay the price,” one way or another. Scripture tells us the rest: a dark night, great deception, and then the coming of the Bright Morning Star.
“How bizarre, how bizarre”
The chorus is our response. We look around at politics, wars, social chaos, and say, “How bizarre.” What we are really seeing, though, is a carefully written script moving toward a planned outcome.
Illuminati Fingerprints in the Official Video
If all of this were just my imagination, the official video would be random. It is not.
The video is loaded with specific symbols that line up with the message I’ve just outlined.
One line keeps looping in the chorus: “Every time I look around… it’s in my face.” On the surface, it sounds vague, but to me it means that the symbolism that tells us what is coming is everywhere, built into ads, ceremonies, buildings, movies, and music videos. For those with eyes to see, it really is “in your face” all the time—part of the mockery is that most people look straight at it and still cannot see what they are being told.
“Keep Left” sign at 0:06
At 0:06 into the video, there is a “Keep Left” sign in the background. The anti-Christ will try to force you to the political left – the voice of conformance to reason moderated by the appointed authorities. If you don’t want to go to the internment camps with conservatives, constitutionalists and Christians, keep left. It also hints at where the anti-Christ figure comes from—he comes from the left, not the right.
Moloch at 1:53
At 1:53 into the video we get our first clear Illuminati mark: a brief shot of a mask shaped like an owl, representing Moloch, the ancient god associated with child sacrifice.
For generations, the global elites have used owl-Moloch imagery as a badge of who they serve—from the old street layout around key buildings in Washington, D.C., to modern rituals such as Bohemian Grove.
The pattern hasn’t changed; it continues right up to the present day.
The number 153 is 17 times 9 and the 17th triangular number and 9th hexagonal number: https://en.wikipedia.org/wiki/153_(number)
The number 17 is a number the Illuminati use frequently because it mirrors the beast of Revelation: “a beast… having seven heads and ten horns, and upon his horns ten crowns” (Revelation 13:1; see also Revelation 17:3, 7, 9–12).
The number 9 points to the nine “Babylon” phases of Satan’s rule over mankind—from the first Babylon at the tower of Babel (Genesis 11:1–9), through “Babylon the great” (the 7th, Revelation 17–18), then the 8th kingdom ruled by the beast “that was and is not… an eighth but… belongs to the seven” (Revelation 17:11), and finally the last rebellion of Gog and Magog after the thousand-year reign (Ezekiel 38–39; Revelation 20:7–8).
In that light, 153 functions a numeric signature: a way for Satan and the Illuminati to celebrate the full span of his kingdoms over the whole history of mankind.
The number 153 itself appears in John’s Gospel. After Jesus rose from the dead and met His disciples on the shore, they hauled in a miraculous catch:
“So Simon Peter went aboard and hauled the net ashore, full of large fish, 153 of them.” (John 21:11, ESV)
From God’s perspective, that catch hints at a great harvest of souls drawn out of all the “Babylon” systems of the beast—men and women rescued from every phase of Satan’s counterfeit kingdoms.
The Fire-Breathing Clown at 2:39
At 2:39 into the video, we see a performer blasting a huge jet of fire out over the water in a scene drenched in orange and gold.
The timestamp matters. 2:39 → 239.
Plutonium-239 is the primary fissile material used in modern nuclear weapons. So at the exact moment we see a clown breathing fire, the clock quietly spells out the nuclear number.
The number 239 is heavily used in Illuminati symbolism. In my article “Marks & Spencer Xmas Advert Exposed,” I walk through another example where “23 September” (23-9) is used as a visual marker, tying together nuclear fire imagery, a firm public nuclear threat by North Korea on a September 23 and the contemporaneous occurrence of the Revelation 12:1-2 great sign in the heavens. I am not setting dates. The point is that 239 is a heavily used numeric mark in their language—and it points to destruction through nuclear war.
In the How Bizarre video, the primary meaning is plain: the circus that brings the rise of the anti-Christ system, does so through the use of nuclear blasts. The clown breathing flame at 2:39 is a picture of nuclear blasts driven by plutonium-239.
“It’s in my face” – and then nothing but fire
The last words of the song are: “It’s in my face.” On that line, the video flashes a close-up of the masked performer, lit by orange firelight. Then, in the final seconds, the fire rushes toward his face and the image is completely washed out in white-hot flame. He is gone. All that remains on the screen is fire.
The message is not subtle. The masked man represents the warmongers and puppets of Satan—those who help bring nuclear destruction to the world. The same fire they unleash on others ultimately consumes them too. The show ends the way it has been hinting all along: in blinding, devouring fire.
A Pop Song That Predicts the End
Taken together, the lyrics and visuals tell one coherent story.
It describes the journey of the anti-Christ, coming from the political left, standing outside the law, orchestrating a global circus act of schemers, actors, and puppets to bring the U.S. to destruction. He removes the political right—conservatives, constitutionalists, and Christians—and then, through more war and nuclear fire, rises to become the leader of the world, until the same destruction turns back even on those who helped create it.
Scripture says of the end-times:
The sky vanished like a scroll that is being rolled up, and every mountain and island was removed from its place. 15 Then the kings of the earth and the great ones and the generals and the rich and the powerful, and everyone, slave and free, hid themselves in the caves and among the rocks of the mountains, 16 calling to the mountains and rocks, “Fall on us and hide us from the face of him who is seated on the throne, and from the wrath of the Lamb, 17 for the great day of their wrath has come, and who can stand?” (Revelation 6:14-17)
Jesus also warned, “Put your sword back into its place. For all who take the sword will perish by the sword” (Matthew 26:52).
The video, in its own coded way, pictures the same truth: this road leads to fire, and those who live by that fire will not escape it.
In the end, the only safe place is not on the left or the right, but out of the circus altogether—out of Babylon and in honest relationship with the One who tells us the truth. If you sense Him knocking, do not wait; open the door, listen to His voice, and walk with Him now, while there is still time.
The Heart of a Lion 